Today's Music Library Hours:

Undergraduate Music History Research: Home

This guide will help you do your research for Music History II course

Discover Resources

 

 Click here to do more in-depth music research.

Oxford Music Online Search Box
Oxford Music Online

If off-campus, use this link:

Search all products:

Streaming Audio:

Music Resources

CATALOGS

Dulaney-Browne Library Catalog (You can limit to 'Music Listening Library' location, musical recording or musical score.)

World Cat Discovery You can search all the libraries of the world using this resource!

If you have trouble understanding the Library of Congress catalog system and want to learn more about the numbers you'll see while looking for music materials in Leichter Listening Library, click here:

What is a composer’s complete works edition? Does this really contain all of the pieces by a particular composer? Help—there are 119 volumes in this complete works edition and no table of contents! How do I find the particular piece I need? Learn how to use collected editions by clicking  here
 

MUSIC-SPECIFIC DATABASES

Oxford Music Online (Includes: Grove Music Online, The Oxford Dictionary of Music, and The Oxford Companion to Music)

 

Oxford History of Western Music by Richard Taruskin




GENERAL DATABASES CONTAINING MUSIC-RELATED MATERIALS

JSTOR (Index to older journal articles, including music articles, with some links to full-text)
 
ProjectMuse Collection of not-for-profit scholarly journals in the humanities and social sciences.
 
ProQuest Dissertations and Thesis  Provides abstract and full text access to dissertation and theses from around the world from 1861 to the present day.

Need a Recording?

Naxos includes CDs available for live streaming via the Internet

Alexander Street Press includes video streaming channels as well as audio streaming channels.  This link lets you search them all!

Websites by Category

Here are just a few examples to get you started with using the Internet for academic research. Remember that there will be many other useful sites out there on the Internet!

Search Engines specifically find scholarly items

Academia.edu  Academia is the easiest way to share papers with millions of people across the world for free.

Google scholar this might be a good place to help you find things to look up in our library catalog or in Worldcat or EbscoHost.  It will direct you toward scholarly items.  If they look good but are not available through a link, just copy the title and plug it into one of the resources you learned about and you should be able to locate the item quickly.

ScorSer 

Free sheet music databases
IMSLP

IMSLP Die Zauberflöte general resources

IMSLP Die Zauberflöte manuscript resourses

Art Song Central

Aria Database

Resources put together by other music libraries

Online Resources for Music Scholars (Harvard College Library)

MusRef  A Guide to More than 8,000 Print and Internet Resources about music and dance.


Directories to open access material


Directory of Open Access Journals
DSpaceInstances


Website Categories
By subject

Lied, Art Song, and Choral Texts Page

By composer/performer

Mozart's Letters in English Translation project Gutenberg has made a great resource that lets you look at Mozart's letters online--all translated into English for your reading ease!

Mozart Database The purpose of this web site, operated by the Internationale Stiftung Mozarteum in cooperation with the Packard Humanities Institute, is to make Wolfgang Amadeus Mozart's musical compositions widely and conveniently accessible to the public, for personal study, scholarly and educational use. You can find a digital version of the Neue Mozart Ausgabe (the newest Urtext version of Mozart's collected works)here at this website.

By collection

The Julliard Manuscript Collection

Library of Congress Performing Arts Encyclopedia


Musical Treasures Consortium provides online access to the world's most valued music manuscripts and print materials, held at the most renowned music archives, in order to further research and scholarship. Researchers can search or browse materials, access metadata about each item, and view digital images of the treasure via each custodial archive's Web site. The consortial collection will grow as members add more materials.

 



Can you think of other categories? Email the music librarian with your suggestions.

As mentioned in the syllabus, the guidelines for your research project assignments require that you use scholarly materials in compiling your bibliographies. There are essentially three types of scholarly materials: scholarly books, journal and encyclopedia articles, and primary sources.

 

Scholarly books. As the name implies, these are books written by scholars. Academic scholars are specially trained to present their research according to conventional methods of academic writing. Scholarly books are also peer-reviewed by an editorial panel of experts; this special “vetting” process ensures that the content of these books meets the high standards of academic research. Here is a beginning checklist to determine whether or not a book is "scholarly" in content:

    1. Are there footnote or endnote citations? If not, the source most likely is not scholarly.

    2. Who published the book? Many scholarly books are published by university-affiliated publishing companies. Some common examples are Harvard Univ. Press, Princeton Univ. Press, Oxford Univ. Press, Cambridge Univ. Press, and The Univ. of California Press. While not all books published by non-university presses are non-scholarly (for example books published by W.W. Norton and Schirmer), it is safe to assume that most (if not all) university press books are scholarly in content.

If after going through these steps you are still not sure if a book is scholarly in content, ask me or a reference librarian.

   

 

Articles from Academic Journals and Encyclopedias. As with scholarly books, academic journals are also peer-reviewed, and also incorporate footnote or endnote citations. As with scholarly books, if an article is published without footnotes or endnotes, this is a good indication that it is not scholarly in content.  All articles found in JSTOR and PROJECT MUSE, and most found in EBSCOHost will be scholarly in nature. If you find an article in one of the journals listed below, rest assured that it constitutes a scholarly source:    

 

19TH CENTURY MUSIC

ACTA MUSICOLOGICA

AMERICAN MUSIC

ARCHIV FÜR MUSIKWISSENSCHAFT

BACH PERSPECTIVES

THE BEETHOVEN JOURNAL

BLACK MUSIC RESEARCH JOURNAL

THE BLACK PERSPECTIVE IN MUSIC

BRITISH JOURNAL OF ETHNOMUSICOLOGY

BRITISH POSTGRADUATE MUSICOLOGY

CAMBRIDGE OPERA JOURNAL

COLLEGE MUSIC SOCIETY JOURNAL

COMPUTER MUSIC JOURNAL

CRITICAL MUSICOLOGY JOURNAL

CURRENT MUSICOLOGY

CZECH MUSIC

DE MUSICA

DISCOURSES IN MUSIC

EARLY MUSIC

EARLY MUSIC HISTORY

EIGHTEENTH CENTURY MUSIC

ETHNOMUSICOLOGY

EUROPEAN MUSIC JOURNAL

FONTES ARTIS MUSICAE

GALPIN SOCIETY JOURNAL

THE INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC (IRASM)

JAHRBUCH FÜR VOLKSLIEDFORSCHUNG

JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA

JOURNAL OF THE AMERICAN LUTE SOCIETY

JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY

JOURNAL OF THE ARNOLD SCHOENBERG INSTITUTE

JOURNAL OF THE VIOLA DA GAMBA SOCIETY OF AMERICA

JOURNAL OF THE MUSICOLOGICAL SOCIETY OF AUSTRALIA: "MUSICOLOGY AUSTRALIA"

JOURNAL OF MUSICOLOGICAL RESEARCH

JOURNAL OF MUSICOLOGY

JOURNAL OF NEW MUSIC RESEARCH

 

JOURNAL OF RENAISSANCE AND BAROQUE MUSIC

JOURNAL OF THE ROYAL MUSIC ASSOCIATION

JOURNAL OF THE SOCIETY FOR SEVENTEENTH-CENTURY MUSIC

JOURNAL OF THE SOCIETY FOR MUSICOLOGY IN IRELAND

LATIN AMERICAN MUSIC REVIEW

LUTE SOCIETY JOURNAL

LIED UND POPULÄRE KULTUR = SONG AND POPULAR CULTURE

MIN-AD: ISRAEL STUDIES IN MUSICOLOGY ONLINE

MUSIC ANALYSIS

MUSIC & ANTHROPOLOGY

MUSIC & LETTERS

MUSIC PERCEPTION

MUSICAL QUARTERLY

MUSIC THEORY ONLINE

MUSIC THEORY SPECTRUM

MUSICA DISCIPLINA

NOTES

NOTITIAE CANTUS

OPERA QUARTERLY

ORGANISED SOUND

PERFORMANCE PRACTICE REVIEW

PAJ: A JOURNAL OF PERFORMANCE AND ART

PERSPECTIVES OF NEW MUSIC

POLISH MUSIC JOURNAL

POPULAR MUSIC

PROCEEDINGS OF THE ROYAL MUSICAL ASSOCIATION

RECERCARE (FIMA: FONDAZIONE ITALIANA PER LAMUSICA ANTICA)

REVUE DE MUSICOLOGIE

SOUTH AFRICAN JOURNAL OF MUSICOLOGY

STM-ONLINE

STUDIA MUSICOLOGICA ACADEMIAE SCIENTIARUMHUNGARICAE

TIJDSCHRIFT VAN DE VERENIGING VOOR NEDERLANDSEMUZIEKGESCHIEDENIS

WOMEN AND MUSIC: A JOURNAL OF GENDER AND CULTURE

 

Although there are many different kinds of music encyclopedias and dictionaries, the standard academic music encyclopedia in English is Grove Music Online published by Oxford University Press. No other music encyclopedia or dictionary matches the breadth, detail, and academic rigor of the articles in Grove Music Online, which is why it is one of the very few music encyclopedias appropriate for academic research. All other encyclopedias may be consulted for general information, but (in most cases) should not be cited as research sources for your paper.  You will find a search box for this resource at the top of this class guide, please use it!

 

Wikipedia and other similar Internet "encyclopedias" are not acceptable resources for research for this assignment. This is because the authors of Wikipedia articles remain anonymous or use aliases that obscure their identity. Although Wikipedia employs a group of "editors" to monitor their web content, these editors also remain anonymous or use aliases – thereby rendering the web content of Wikipedia completely unaccountable. Many other websites operate under similar conditions, including: ClassicalNet,Naxos Online

Baroque Music Page, and MusicBrainz. Wikipedia articles, however, may (but not always) be useful for bibliographical purposes.

 

Primary Sources. In historical research, a primary source is generally defined as an original document that is not based on a previous document. In music research, primary sources are more difficult to define in an absolute sense. This is because the content of our medium can exist in multiple forms – in published scores, in recordings, in sketches, in manuscript, on video, etc. Generally speaking, any source that contains material performed, spoken, or written by the subject(s) of your topic constitutes a primary source. Scores, for example, can be considered primary sources since they document the “original” musical ideas of a composer. Similarly, a musical performance posted on YouTube can be a primary source if it documents an “original” musical event, and the performers (or performance) are the subjects of your research. Interviews, letters, and diaries also constitute primary sources since they document the “original” thoughts and words of the people you will be writing about. Please don’t hesitate to contact me if you have a question about whether or not a document constitutes a “primary” source.   

Rules for the citation of bibliographic, multimedia, and Web resources for this Turabian Citation Guide have been taken from Kate L. Turabian, A Manual for Writers of Research Papers, Theses, and Dissertations: Chicago Style for Students and Researchers, 7th ed., rev. by Wayne C. Booth, Gregory G. Colomb, Joseph M. Williams, and University of Chicago Press Editorial Staff, Chicago Guides to Writing, Editing, and Publishing (Chicago: University of Chicago Press, 2007). This guide will use examples that are cited in "bibliography" style.  Remember, for your papers you will need to have footnotes and you will have to cite those footnotes in footnote style.  Consult the online Turabian guide below for identifying the differences between bibliography and footnote formatting or look in chapters 16 and 17 of the Turabian guide.

  • For basic guidelines and patterns for citations using the notes-bibliography style, refer to Turabian chapter 16.
  • For specific rules and examples for citing different bibliographic resources using notes-bibiliography style, refer to Turabian chapter 17.
  • Here is a handy basic online resource that helps you understand Turabian footnote and bibliographical formatting.  Below you will find more music-specific examples of things such as how to cite video recordings and musical scores.
  • You must remember, though, that proper indentation patterns should be used or you don't have Turabian formatting down correctly.  This resource is done in an environment where maintaining indentation patterns is difficult because of the computerization of the guide.  You should visit the Turabian guide itself to check on how things should be indented!  Copies of Turabian are available on reserve behind the circulation desk in Dulaney-Browne and also can be found in the Music Listening Library. 
  • The Chicago Mannual of Style is very similar to Turabian and sometimes when you cannot find the way to cite something in the Turabian guide it is helpful to look in the  Chicago Manual of Style Online.

Books

Rules for citing books can be simple or complex, depending on the resource. Some books have one author, a simple title, aren't part of any series or multi-volume publication, and have only been published once. Others have authors, editors, translators, series titles, multiple volumes, and exist in multiple editions, including reprints. Sometimes you may wish to cite only a specific chapter or portion of a particular book. Most possibilities are covered in the examples in Turabian 17.1 and in the following examples. Please refer to Turabian for further clarification.

One author (Turabian 17.1.1)

Lahee, Henry C. Famous Singers of To-day and Yesterday. Boston: L. C. Page, 1898.

Multiple authors (Turabian 17.1.1); Special elements in titles: exclamation points (Turabian 17.1.2)

Carson, Mina, Tisa Lewis, and Susan M. Shaw. Girls Rock! Fifty Years of Women Making Music. Lexington: University Press of Kentucky, 2004.

Translation (Turabian 17.1.1 and 17.1.2)

Adorno, Theodor W. Philosophy of New Music. Translated and edited by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press, 2006.

If you need to cite both the original and a translation, use one of the following types.

Adorno, Theodor W. Philosophie der neuen Musik. Frankfurt am Main: Suhrkamp, 1976. Translated and edited by Robert Hullot-Kentor as Philosophy of New Music (Minneapolis: University of Minnesota Press, 2006).

Or

Adorno, Theodor W. Philosophy of New Music. Translated and edited by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press, 2006. Originally published as Philosophie der neuen Musik (Frankfurt am Main: Suhrkamp, 1976).

Edition: revised editions (Turabian 17.1.3)

Simms, Bryan R. Music of the Twentieth Century: Style and Structure. 2d ed. Belmont, CA: Schirmer/Thomson Learning, 1996.

Reprint editions (Turabian 17.1.3); Older title (Turabian 17.1.2)

Burney, Charles. An Account of the Musical Performances in Westminster-Abbey, and the Pantheon, May 26th, 27th, 29th; and June the 3d, and 5th, 1784. In Commemoration of Handel. London, 1785. Reprint in Da Capo Press Music Reprint Series, edited by Bea Friedland. New York: Da Capo Press, 1979.

Volume: specific volume (Turabian 17.1.4)

Taruskin, Richard. The Nineteenth Century. Vol. 3 of The Oxford History of Western Music. New York: Oxford University Press, 2005.

Volume: multivolume work as a whole (Turabian 17.1.4); Title: non-English titles (Turabian 17.1.2)

Duneton, Claude. Histoire de la chanson française. 2 vols. Paris: Éditions du Seuil, 1998.

Book in a series (Turabian 17.1.5)

Glinsky, Albert. Theremin: Ether Music and Espionage. Music in American Life. Urbana: University of Illinois Press, 2000.

Book in a series with series editor (Turabian 17.1.5)

Freedman, Richard. The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. Eastman Studies in Music, edited by Ralph P. Locke. Rochester, NY: University of Rochester Press, 2001.

Chapters and other titled parts of a book: parts of edited collections: Festschriften (Turabian 17.1.8); Titles: non-English titles (Turabian 17.1.2)

Ringer, Alexander L. "Lieder eines fahrenden Gesellen. Allusion und Zitat in der musikalischen Erzählung Gustav Mahlers." In Das musikalische Kunstwerk: Geschichte, Ästhetik, Theorie; Festschrift Carl Dahlhaus zum 60. Geburtstag, edited by H. Danuser, H. de la Motte-Haber, S. Leopold, and N. Miller, 589-602. Laaber, Germany: Laaber, 1988.

Chapters and other titled parts of a book: parts of single-author books (Turabian 17.1.8); Title and quotations within titles (Turabian 17.1.2, cf. 17.2.2)

Kerman, Joseph. "Ethnomusicology and 'Cultural Musicology'." In Contemplating Music: Challenges to Musicology, 155-181. Cambridge, MA: Harvard University Press, 1985.

Chapters and other titled parts of a book: parts of edited collections (Turabian 17.1.8)

Escriván, Julio d'. "Electronic Music and the Moving Image." In The Cambridge Companion to Electronic Music, edited by Nick Collins and Julio d'Escriván, 156-70. New York: Cambridge University Press, 2007.

Chapters and other titled parts of a book: parts of edited collections (17.1.8); Volume: specific volume (Turabian 17.1.4)

Sherlaw-Johnson, Robert. "Analysis and the Composer." In Companion to Contemporary Musical Thought, edited by John Paynter, Tom Howell, Richard Orton, and Peter Seymour, 2:715-35. London: Routledge, 1992.

Works in anthologies (17.1.8)

Zarlino, Gioseffo. Excerpt from bk. 3 of Istitutioni harmoniche. 1558. Translated by Oliver Strunk. In Source Readings in Music History, rev. ed., edited by Oliver Strunk and Leo Treitler, 436-57. New York: W. W. Norton, 1998.

Letters and other communications in published collections (Turabian 17.1.9)

Mendelssohn, Felix. Felix Mendelssohn to [Frédéric] Chopin, Leipzig, March 28, 1836. In Selected Correspondence of Fryderyk Chopin: Abridged from Fryderyk Chopin's Correspondence, collected and annotated by Bronislaw Edward Sydow, translated and edited by Arthur Hedley, no. 97. New York: McGraw-Hill, 1963.

 


Combining Citation Formats

Chapter 17 of the Turabian manual provides models for many different types of publications. Turabian, however does not give guidelines for publications that may combine these styles. For example, a reprint may be published as part of a series. A separately authored article or essay may be published in a book that is a separately titled volume in a multi-volume set or that is part of a series. Such combinations are typical in the complete works of composers published as a set. Some possible models are given below. A multi-volume work published in a reprint series. Combine 17.1.3 with 17.1.4.

Chorley, Henry. Thirty Years' Musical Recollections, 2 vols. London: Hurst and Blackett, Publishers, 1862. Reprint in Da Capo Press Music Reprint Series. New York: Da Capo, 1984.

A separately titled book that is part of a multi-volume set that is also part of a series. Combine 17.1.4 and 17.1.5.

Fellerer, Karl Gustav. Studien zur Musik des 19. Jahrhunderts. Band 2, Kirchenmusik im 19. Jahrhundert. Studien zur Musikgeschichte des 19. Jahrhunderts, Band 60. Regensburg: Gustav Bosse Verlag, 1985.

An article in a separately titled book that is part of a multi-volume set. Combine 17.1.4 and 17.1.8.

Ott, Alfons. "Von der frühdeutschen Oper zum deutschen Singspiel." In Musik in Bayern. Vol. 1., Bayerische Musikgeschichte: Überblick und Einzeldarstellungen, ed. Robert Münster and Hans Schmid, 165-77. Tutzing: Hans Schneider, 1972.

An article in a separately titled book that is part of a multi-volume set, with a named editor for the set. Combine 17.1.4 and 17.1.8.

Finscher, Ludwig, and Silke Leopold. "Volkssprachige Gattungen und Instrumentalmusik." In Neues Handbuch der Musikwissenschaft. Edited by Carl Dahlhaus. Band 3, Die Musik des 15. und 16. Jahrhunderts, ed. Ludwig Finscher, 2:437-605. Laaber: Laaber-Verlag, 1990.

A separately titled article in a book edited by another that is part of a series. Combine 17.1.8 with 17.1.5.

Buelow, George J. "A Bach Borrowing by Gluck: Another Frontier." In Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann, ed. Mary Ann Parker, 187-203. Festschrift Series, No. 13. Stuyvesant, N.Y.: Pendragon Press, 1994.

A score published in a set with multiple subsets and editors. Combine 17.1.4 with 17.1.7.

Mozart, Wolfgang Amadeus. "Sinfonie in D, KV 81(731)." In Wolfgang Amadeus Mozart: Neue Ausgabe sämtlicher Werke. Edited by the Internationalen Stiftung Mozarteum Salzburg. Serie IV, Orchesterwerke. Werkgruppe 11, Sinfonien. Band 2, 3-14. Kassel: Bärenreiter, 1985.

Bach, Johann Sebastian. "Sonate e-Moll für Violino und Continuo, BWV 1023." Edited by Günter Hausswald. In Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke. Edited by Johann Sebastian Bach Institut, Göttingen and Bach Archive, Leipzig. Serie VI, Kammermusikwerke. Band 1, Werke für Violine, 71-80. Kassel: Bärenreiter, 1958.

A published score to a separate work originally published in a multi-volume set and reprinted in a set with separately titled volumes in multiple subsets with multiple editors. Combine 17.1.3, 17.1.4 and 17.1.8.

Boyce, William. "The Song of Diana in Mr. Dryden's Secular Masque [With Horns and with Hounds I Waken the Day]." In Lyra Britannica: Being a Collection of Songs, Duets, and Cantatas, on Various Subjects, 1:1-5. London: I. Walsh, [1747]. Facsimile reprint in Music for London Entertainment 1660-1800. Series F, Music of the Pleasure Gardens, ed. Christopher Hogwood. Vol. 3, William Boyce: Lyra Britannica. With an introduction by Robert J. Bruce. Tunbridge Wells: Richard Macnutt, 1985.

A published score to a separate work originally published in a multi-volume set with multiple subsets and reprinted in a series with sub-series. Combine 17.1.3, 17.1.4, 17.1.5 and 17.1.8.

Beethoven, Ludwig van. "Sonate für das Pianoforte, Op. 90." In Ludwig van Beethoven's Werke. Series 16, Sonaten für das Pianoforte, Band 3, No. 150. Leipzig: Breitkopf & Härtel, n.d. Reprint in Edward Music Reprints. Series A, Complete Works and Monumenta. No. 2, Ludwig van Beethoven's Werke. Ann Arbor, Michigan: J. W. Edwards, 1949.

A manuscript score reproduced in a facsimile that is part of a multi-volume set. Combine 17.1.3, 17.1.4, 17.1.8 and 17.6.4.

[Dowland, John]. "Flow My Teares Fall from Yo'r Springs." Manuscript score. Oxford, Christ Church Ms. 439, [pp.] 6-7. Facsimile reprint in English Song 1600-1675: Facsimiles of Twenty-six Manuscripts and an Edition of the Texts. Edited with introductions by Elise Bickford Jorgens. Vol. 6, Manuscripts at Oxford, Part I. New York: Garland Publishing, Inc., 1987.

 


Articles in Journals

Journals are sometimes referred to as periodicals because they are published at stated intervals such as weekly, monthly, quarterly, etc. Because journals are published at intervals they usually include volume and issue indications. Volumes are generally assigned in sequential numeric order each year. Issue indications may appear as a month, season, or number. Some journals assign a sequential issue number to each issue and do not specify a yearly volume number. Other journals may specify a volume and designate both a month or season as well as a issue number. Readers might not need all of these elements to locate an article in a particular journal, but including as many as possible will help guard against possible error. Use the following guidelines to create your citations. See Turabian 17.2 for more details. If the journal indicates volume, issue number, month, and year, follow this model:

Porter, Andrew. "New Productions at the Metropolitan Opera." Opera News 56, no. 7 (July 1989): 112-32.

If the journal gives only an issue number with no volume reference follow this model:

Harwood, James. "Romantic Imagery in Schumann's Operas." Current Musicology, no. 57 (1978): 57-78.

If the journal or magazine gives a full date including day, month and year, cite the journal by the date. Do not include any reference to volume and issue even if they appear on the journal. Since magazine articles often have irregular pagination, you may omit the article's inclusive page numbers in a bibiliography. See Turabian 17.3.

Fricke, David. "Louder Faster Stronger." Rolling Stone, October 2, 2008.

 


Articles Published Online

Citing articles found in online journals is identical to the way you would cite the same article in a print journal, except that you must add the URI (Uniform Resource Identifier) and the date you accessed the article.

Dolp, Laura. "Between Pastoral and Nature: Beethoven's Missa Solemnis and the Landscapes of Caspar David Friedrich." Journal of Musicological Research 22, no. 3 (July 2008): 205-25. http://www.informaworld.com/smpp/section?content=a901740941&fulltext=713240928 (accessed December 5, 2008).

Online journals might not employ page numbers if they do not have a print equivalent; use a descriptive locator (such as a subheading) to identify the location of a cited passage, using the word "under" before the URI. See Turabian 17.2.7 for more details.

Greenbaum, Matthew. "From Revolutionary to Normative: A Secret History of Dada and Surrealism in American Music." NewMusicBox, July 10, 2008. Under "The Seeds for a Normative Dada." http://www.newmusicbox.org/article.nmbx?id=5632 (accessed December 8, 2008).

Online databases of articles usually list all the necessary information for citations. Use the URI that identifies the database consulted.

Alden, Jane. "Excavating Chansonniers: Musical Archaeology and the Search for Popular Song." Journal of Musicology - A Quarterly Review of Music History, Criticism, Analysis, and Performance Practice 25, no. 1 (Winter 2008): 46-86. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:iimp:&rft_dat=xri:iimp:article:citation:iimp00635723 (accessed December 5, 2008).

 


Articles in Music Dictionaries and Encyclopedias

Normally, encyclopedias should only be cited in notes. If you are citing substantial articles from a major music dictionary such as The New Grove Dictionary of Music and Musicians, you may use a format that begins with the name of the author of the article. See Turabian 17.5.3 for more details.

Strickland, Edward. "Glass, Philip." In The New Grove Dictionary of Music and Musicians, 2d ed, edited by Stanley Sadie. New York: Oxford University Press, 2001.

Randel, Don Michael, ed. The Harvard Dictionary of Music. 4th ed. S.v. "Lied". Cambridge, MA: Belknap Press of Harvard University Press, 2003.

Citing Grove Music Online requires a different citation format that includes the URI and the date the material was accessed.

Strickland, Edward. "Glass, Philip." In Grove Music Online, ed. Laura Macy. Oxford Music Online. http://www.oxfordmusiconline.com/subscriber/article/grove/music/11262 (accessed December 8, 2008).

 


Musical Scores

Cite a published musical score the same way as you would a book. See Turabian 17.8.7 for more details.

Berlioz, Hector. Fantastic Symphony: An Authoritative Score, Historical Background, Analysis, Views and Comments. Edited by Edward T. Cone. Norton Critical Scores. New York: W. W. Norton, 1971.


Verdi, Giuseppe. La traviata (melodramma in three acts). Libretto by Francesco Maria Piave. Edited by Fabrizio Della Seta. 2 vols. In The Works of Giuseppe Verdi, edited by Philip Gossett. Series 1, Operas. Vol. 19. Chicago: University of Chicago Press; Milan: G. Ricordi, 1996.

 


Sound Recordings

List recordings under the title of the recording or under the name of the composer or performer, depending on what element is most important for your paper. Include media format, name of record company, identifying number from the publisher, and publishing and/or copyright date, or both. See Turabian 17.8.4 for more details. Item indexed by composer:

Bach, Johann Sebastian. Concerto no. 1 in F major, BWV 1046. In Brandenburg Concertos nos. 1-6. Tafelmusik; conducted by Jeanne Lamon. Vivarte. Sony Classical S2K 66289. CD. 1994.

Davis, Miles. Kind of Blue. Columbia Jazz Masterpieces. Columbia CK 40579. CD. Recorded 1959.

Item indexed by performer:

Kronos Quartet. String Quartet no. 2, by Alfred Schnittke. In The Complete String Quartets. Nonesuch 79500-2. CD. 1998.

Rutter, John, dir. Christmas Night: Carols of the Nativity. Cambridge Singers; City of London Sinfonia. Collegium Records COLCD 106. CD. 1987.

 


Videorecordings

Videorecording citations are constructed similar to book citations, with the addition of the medium (VHS, DVD, laserdisc). Cite videorecordings under the the title of the work, or the name(s) of the composer, performer, director, or actor(s), depending on what element is most important for your paper. See Turabian 17.8.5 for more details. Item indexed by composer:

Wagner, Richard. Die Walküre. DVD. Peter Hofmann, Matti Salminen, Donald McIntyre, Jeannine Altmeyer, Gwyneth Jones, Hanna Schwarz, soloists; Bayreuther Festspiele; conducted by Pierre Boulez; produced by Patrice Chéreau. Munich: Unitel, 1980; Germany: Philips, 1998.

Beethoven, Ludwig van. Symphony 9 "Choral". Disc 1. Symphonies 3 & 9. DVD. Karita Mattila, Violeta Urmana, Thomas Moser, Eike Wilm Schulte, soloists; Swedish Radio Choir; Eric Ericson Chamber Choir; Berliner Philharmoniker; conducted by Claudio Abbado; directed by Bob Coles. N.p.: EuroArts Music International, 2002.

Glass, Philip, comp. Koyaanisqatsi: Life Out of Balance. DVD. Produced and directed by Godfrey Reggio. N.p.: Institute for Regional Education, 1983; Santa Monica, CA: MGM, 2002.

Item indexed by performer(s) or actor(s):

Wood, Natalie, Richard Beymer, Russ Tamblyn, Rita Moreno, and George Chakiris. West Side Story, special edition. DVD. Directed by Robert Wise and Jerome Robbins; music by Leonard Bernstein; lyrics by Stephen Sondheim. N.p.: Mirisch Pictures, 1961; Santa Monica, CA: MGM, 2003.

Gillespie, Dizzy. Dizzy Gillespie: Live in '58 & '70. DVD. Produced by David Peck and Phillip Galloway. Jazz Icons Series. Ratingen, Germany: Reelin' In The Years Productions, 2006.

 


Websites and Blogs

Websites often lack standard elements of publication (no dates, no title, no publisher, sometimes no author). Citing the URI is also problematic because web content can change rapidly, and older versions of Web pages disappear. Citations for websites and blogs should include as much information as possible: author (if known), title of Web page or blog entry, website or blog title, URI, and date accessed. If there is no named author, give the name of the website owner. If the Web page you wish to cite has no official title, you may use a descriptive phrase of your own invention. See Turabian 17.7.1-17.7.2 for more details. Web pages

National Association for Music Education (MENC). "National Standards for Music Education." http://www.menc.org/resources/view/national-standards-for-music-education (accessed December 8, 2008).

Celenza, Anna. "Music Books for Children." American Musicological Society. http://www.ams-net.org/childrens-lit/index.php (accessed December 8, 2008).

Blake, William. "William Blake Digital Materials from the Lessing J. Rosenwald Collection." Library of Congress Rare Book & Special Collections Division. http://www.loc.gov/rr/rarebook/rosenwald-blake.html (accessed December 8, 2008).

Blogs

Ross, Alex. "20th-Century Agenda: Messiaen." Alex Ross: The Rest Is Noise. Entry posted October 3, 2008. http://www.therestisnoise.com/2008/10/20th-century-ag.html (accessed December 8, 2008).

Eddins, Stephen. "An Inconvenient Truth--the Opera." Allmusic: the Allmusic Blog. Entry posted June 3, 2008. http://blog.allmusic.com/2008/06/03/an-inconvenient-truth-the-opera/ (accessed December 8, 2008).

 


Theses and Dissertations

Theses and dissertations are considered unpublished documents, and have a slightly different form of citation than books or journal articles. After the author and title, this citation format requires the kind of thesis, the academic institution awarding the degree, and the year completed. See Turabian 17.6.1 for more details.

Johnson, Steven Phillip. "Tonal and Motivic Structures in Mahler's Third Symphony." PhD diss., University of California at Los Angeles, 1989.

Nordstrom, Steven Scott. "Philippe de Monte, Sonetz de Pierre de Ronsard, mis en musique a cinq, six, et sept parties (1575): a Critical Edition." Master's thesis, Brigham Young University, 2005.

If citing a dissertation found in an online database, add the name of the database, the URI, and the date accessed to the citation:

Day, David A. "The Annotated Violon Repetiteur and Early Romantic Ballet at the Theatre Royal de Bruxelles (1815-1830)." PhD diss., New York University, 2007. In ProQuest Dissertations and Theses, http://proquest.umi.com/pqdweb?did=1546808041&sid=5&Fmt=2&clientId=9338&RQT=309&VName=PQD (accessed December 5, 2008).

 

Music, Theater, Dance and Entertainment Business Librarian

Beth Fleming's picture
Beth Fleming
chat presence
Contact:
Leichter Listening Library
Room 308 B
Wanda L. Bass School of Music
405-208-5708
Website